Wednesday 4 May 2016

Weekly New/Digital Media homework Week 32

WEEK 32
1. Google given access to healthcare data of up to 1.6 million patients

Lord Darzi, centre, performing surgery.

  • Artificial intelligence firm DeepMind provided with patient information as part of agreement with Royal Free NHS trust
  • A company owned by Google has been given access to the healthcare data of up to 1.6 million patients from three hospitals run by a major London NHS trust.
  • DeepMind, the tech giant’s London-based company most famous for its innovative use of artificial intelligence, is being provided with the patient information as part of an agreement with the Royal Free NHS trust, which runs the Barnet, Chase Farm and Royal Free hospitals.
  • It includes information about people who are HIV-positive as well as details of drug overdoses, abortions and patient data from the past five years, according to a report by the New Scientist
  • DeepMind announced in February that it was developing a software in partnership with NHS hospitals to alert staff to patients at risk of deterioration and death through kidney failure.

SoundCloud Go launched in the US in March, and has quickly crossed the Atlantic.

  • Streaming firm hopes to persuade some of its 175m listeners to start paying £9.99 a month by being ‘less spreadsheet, more Snapchat’
  • Music-streaming service SoundCloud is launching its £9.99-a-month SoundCloud Go subscription tier in the UK and Ireland.
  • The company hopes that features including track downloads for offline listening, and a bigger music catalogue courtesy of label licensing deals, will persuade some of its free listeners to start paying.
  • SoundCloud Go launched in the US in March after lengthy negotiations with labels, music publishers and collecting societies.
  • As in the US, it will have a catalogue of 125m tracks: licensed recordings as well as the remixes and mash-ups that have helped SoundCloud attract a monthly audience of 175 million music fans.

Tuesday 3 May 2016

Section A Improvements

iHave30 Occupy Movement and Sky News report


Section A
Contrast the techniques used by each product to communicate its message
Both texts catches the attention of the audience through the on-screen action. For instance, the first text ‘iHave30’ uses brisk-pace editing, along with fast jump cuts in order to capture the attention span of the audience and educate them within 30 seconds. The second text uses a variety of techniques, such as multiple interviews with the protesters and the visual violence between the police and prosecutors, which forms a binary opposition.  It also creates an enigma code, linking to theorist Barthes, which makes the audience wonder ‘will the prosecutors get evicted?’

How can audiences use YouTube and other social media sites to create their own identities? You may also refer to other media texts to support your answer.
The iHave30 video can influence other viewers to create their own channel and make quick videos educating the audience about themselves. This has been done successfully through many beauty vloggers (slang for video bloggers), such as Huda Beauty and Zoella, who started out making their own homemade videos about makeup and fashion and now are famous and have celebrity endorsements and a line of makeup as a result of receiving a lot of attention, through the millions of views. This may influence their fans that also have the same interest in beauty and makeup as well, creating a personal identity for the fans.

How has new technology changed the way individuals and groups can challenge dominant and hegemonic ideologies? You should refer to other media products to support your answer.
New technology, especially social media sites like Twitter and Facebook enable individuals to be free in their speech and this allows the audience to have the authority to challenge dominant ideologies. This is most evident through the 2015 elections, where the majority of Twitter users argued David Cameron had absolutely no chance of winning the elections and people criticized Cameron for his “pointless policies” which proved wrong as in the end he won the elections. However, it could be argued that the audience do not have the power, typically hegemonic control as it’s proven that Twitter can remove any comments which are seen as a violation. 

Friday 29 April 2016

Essay

New and digital media offers media institutions different ways of reaching audiences.
Consider how and why media institutions are using these techniques. (48 marks)
With the advances in new and digital media it’s easier to reach audiences and audiences can reach content easier and more efficiently. A massive change in the media landscape creates a symbiotic relationship, whereby audiences influence institutions and vice versa. The case studies this essay will primarily focus on is the music industry, in particular ‘Tidal’ a music streaming app created by hip-hop entrepreneur Jay-Z, the music industry overall and the news industry and the decline of newspaper sales.

With the dramatic decline in the newspaper industry, institutions are forced to reach the target audience. It is noticeable that many newspapers have moved digitally online, such as The Independent, which is a big British institution and no longer sells paperback newspapers. Also, The Sun which 10 years ago used to sell 3 – 4 million copies a day has gone down to 1.6 million.  The most significant figure is from The Guardian which has gone down to selling 200,000 copies a day in comparison to 20-30 million a couple years ago. As many newspapers have moved online it is also significant to notice that there is a decline in the music industry. For instance, figures show that in 1999 to 2009, the amount of records sold in stores has gone from 14.6 billion to 6.3 billion. This is a massive drop and displays that there is not as much hype and excitement to by records in store when you can stream and download them online.

There are many new methods to access news more efficiently and with the ‘technical convergence’ it’s easier through our smartphones especially. Also, there are many news apps, such as ‘Mail Online’ and ‘The Guardian’ and anybody with a tablet our smartphone can access it. It’s normal to question how institutions still make money; this is done through advertising and the invention of paywalls, paying a monthly subscription fee to access the newspaper online in order to receive the best articles and stories. American TV producer and former Journalist, David Simon who wrote the book ‘Build The Wall’ stated how paywalls are a good thing and encouraged institutions to keep paywalls up. David Simon demonstrated his passion for paywalls as his theory was that institutions with paywalls are delivering top quality news.

Furthermore, social media is a fundamental method for institutions to reach their core audience. The idea of ‘News of the Tweet’ which is receiving news from Twitter is most prominent as many newspapers have Twitter accounts delivering news articles, this drives traffic to institutions and it’s prime to recognise that the audience trust verified Twitter accounts and well-known institutions such as the BBC. Twitter has changed the dynamic of news and encourages the idea of a symbiotic relationship, where there is an exchange between the audience and institutions. People are free to challenge and debate/discuss the news on social media and some news accounts may reply back to audience members. The issue for debate is whether or not the news can be trusted as the idea of citizen journalism is more apparent.

‘Citizen Journalism’ is the idea where the audience creates the news and social media is used as a function to help spread news quicker. With this news brands are losing trust as it’s hard to know which news is reliable or not. Citizen journalism has been implemented through the #BlackLivesMatter campaign which was created in 2012 as an international activist movement originating in the African-American community after the death of Travyon Martin, where he suffered police brutality. This created much awareness on social media and was a way to gain justice which was needed. Social media is a quicker way to reach a larger target audience. Audiences are now driving the news agenda and many cases of police brutality have been made more prominent. For instance, the Eric Garner case which was recorded on a camera phone was immediately uploaded on social media; this is a method of user-generated content. This links to the theory of ‘hypperreality’ as the style of the footage recorded was taken on a shaky camera phone helps to make it more realistic and a serious issue which needs to be addressed. The idea of Galtung and Ruge’s ‘News Values ‘reinforces the element of familiarity, how close to home the issue is and how negative it’s portrayed makes it a case which needs to be addressed.

The idea of pluralism is crucial to consider and it proves there is an open exchange of sharing ideas, especially on social media. There is that equality of power between news institutions and audience members. There are many methods of reaching the audience; however the power and choice lies with the audience as institutions make the audience feel like they have authority too. The theories of Marxism and Hegemony are useful too as they give alternative interpretations to news as they prove how the nature of the media is not changing. For instance, the 2015 elections proved this as many people on Twitter were saying how David Cameron had no chance of winning the elections, in the end he won and many right-wing newspapers supported this idea. This proves that institutions have a mass impact, they also have the power to remove any hateful, negative comments on their online articles and this makes the audience consider whether or not they do have the freedom to challenge.

In terms of the independent case study being analysed, the music industry is slowly declining when it comes to selling records in store. Music streaming apps such as “Tidal” have taken over, with competitors such as Apple Music and Spotify; Tidal can be downloaded on any app store and has a monthly subscription fee between £9.99 - £19.99 depending on the type of service you want. The service has over 25 million tracks and 85,000 music videos and offers a wide variety of genres. Tidal makes it easier to access music compared to ten years ago when people would buy CDs. As Tidal is referred to as a "luxury hi-fi music streaming service" the demographic would be an ABC1.Teenagers are the more focal part of the target audience as they would be more up-to-date with new music and interested in discovering new types of music as TIDAL includes all genres. In terms of digital revolution, users are streaming music from their mobile devices by the app instead of buying records. Also, cultural convergence, Tidal is providing all genres of music to target a wide audience. Social media was sued top promote the a there are pages on Twitter, Instagram and Facebook and when Tidal was first launched, many music artists put an aqua blue Twitter header up to show support for Tidal as that in the theme colour. Also using the hashtag #TIDAL many twitter users joined after exploring that hashtag and finding out what it's about. Social media beneficial as it promotes the service as evidentially the hashtag became a worldwide trending topic. By creating an app, rather than using an internet desktop to use Tidal this has encouraged many users to join as it's more efficient to use. It’s easier to stream music wherever, whenever as it's cross-platform and is also available in many different languages.


To conclude, intuitions ultimately have the control as their main motive is monetary-based. Social media plays the biggest role in reaching wider target audiences, especially with the main themes of news and the music industry. Institutions can be seen as ambiguous in terms of allowing the audience to question and challenge the news they receive, as ultimately institutions have the power to remove content. The idea of a “million monkeys” typing behind keyboards also proves not all news is reliable and not to trust everything you read and believe online unless it’s from trusted and verified news institution. The music industry has made is much easier to access music from anywhere but some argue this takes away the “classic” idea of owning a sentimental CD, which loses the value of good music which is being released , as music can be downloaded and streamed illegally. The censorship on music and news is much be liberated and makes it questionable whether the audience really do have the same power as institutions. 

Friday 22 April 2016

Weekly New/Digital Media homework Week 31

WEEK 31
1. Revealed: the $2bn offshore trail that leads to Vladimir Putin

  • A massive leak of documents shines new light on the fabulous fortunes of the Russian president’s inner circle: Putin’s best friend: the cellist who holds the key to his fortune and Iceland’s PM faces snap election over revelations.
  • A network of secret offshore deals and vast loans worth $2bn has laid a trail to Russia’s president, Vladimir Putin..
  • .An unprecedented leak of documents shows how this money has made members of Putin’s close circle fabulously wealthy.
  • Though the president’s name does not appear in any of the records, the data reveals a pattern – his friends have earned millions from deals that seemingly could not have been secured without his patronage.The documents suggest Putin’s family has benefited from this money – his friends’ fortunes appear his to spend.
  • The files are part of an unprecedented leak of millions of papers from the database of Mossack Fonseca, the world’s fourth biggest offshore law firm. They show how the rich and powerful are able to exploit secret offshore tax regimes in myriad ways.
  • The offshore trail starts in Panama, darts through Russia, Switzerland and Cyprus – and includes a private ski resort where Putin’s younger daughter, Katerina, got married in 2013.
  • A new ‘smart mattress’ uses motion sensors to detect whether your other half is being unfaithful. It’s just one of the many ways you can now stoke your real-world insecurities online
  • Durmet’s new £1,200 matress – the Smartress – comes with 24 motion detectors built into the springs – a “lover detection system” that is guaranteed, the makers say, to scan for “suspicious activity” and offer real-time updates, via a phone app, on anyone playing break-the-bed outside of the marriage unit.
  • It’s certainly not the first product of a coming wave of tech-enabled personal paranoia. Child-tracking apps have been around for so long that they are increasingly accepted as a legitimate part of the parenting process.

Weekly New/Digital Media homework Week 30

WEEK 30
1. Your phone number is all a hacker needs to read texts, listen to calls and track you


German security expert Karsten Nohl demonstrated the hack by tracking a brand new phone given to US congressman Ted Lieu using only its phone number.

  • Weaknesses within mobile phone network interconnection system allows criminals or governments to remotely snoop on anyone with a phone
  • Hackers have again demonstrated that no matter how many security precautions someone takes, all a hacker needs to track their location and snoop on their phone calls and texts is their phone number.
  • The hack, first demonstrated by German security researcher Karsten Nohl in 2014 at a hacker convention in Hamburg, has been shown to still be active by Nohl over a year later for CBS’s 60 Minutes.
  • The hack uses the network interchange service called Signalling System No. 7(SS7), also known as C7 in the UK or CCSS7 in the US, which acts as a broker between mobile phone networks. When calls or text messages are made across networks SS7 handles details such as number translation, SMS transfer, billing and other back-end duties that connect one network or caller to another.
  • Retail giant makes shows such as Transparent and The Man in the High Castle available via monthly fee as well as annual payment
  • Amazon is to offer video streaming of exclusive shows such as Transparent and The Man in the High Castle as a standalone service in the US for the first time as it tries to make up ground on Netflix.
  • The online retailer had previously offered Prime Video in the US as part of its Prime package, which also includes next day shipping and other perks, for $99 (£70) a year. It has quietly offered a monthly version for £5.99 in the UK, but will begin promoting the option more strongly, according to reports.
  • US users will now be able to pay $8.99 a month for Amazon’s video, and get Prime as a monthly option for $10.99.
  • The move is a clear attempt to catch up with Netflix, which has led the way in video streaming by offering a cut-price monthly service while also spending big on original content such as House of Cards, Better Call Saul and Marvel superhero spinoff series including Daredevil and Jessica Jones.
  • It comes as Netflix begins moving longer-term subscribers over to new, more expensive packages, having given early adopters a price freeze when it introduced a new pricing structure last year.

Weekly New/Digital Media homework Week 29

WEEK 29


The print circulation of British newspapers has fallen steadily in recent years, claiming victims such as the Independent along the way.

  • Newspapers have been "battered" by the internet - but the industry could be about to fight back with help from websites that aim to be the "iTunes" of journalism.
  • Last week a group of 17 American news organisations, including the New York Times and Washington Post, served a cease-and-desist legal order against a start-up news platform. 
  • The platform, called Brave, was launched in January by the creator of JavaScript, Brendan Eich. The Brave browser had been created in part in response to two recent trends in news delivery: the emergence of mobile platforms such as Apple News and Facebook’s Instant Articles, and the growing use of software that allows readers to block advertisements from news content.
  • Labour MP, who was a target of online abuse, says authorities and web companies need to use their resources to tackle issue.
  • Trolling is still not being taken seriously enough by police and technology companies who already have the tools to take action against internet abusers, the Labour MP Stella Creasy has said.
  • Creasy, who was targeted three years ago by one of the most high-profile Twitter trolls to be jailed, said the key to dealing with online abuse was challenging the underlying inequality, misogyny and prejudice that fuels the problem.

Monday 18 April 2016

Ignite

Tidal ignite presentation
TIDAL

Weekly New/Digital Media homework Week 28

WEEK 28


DMGT is seeking to build on its expansion in the US by acquiring part of Yahoo.

  • Daily Mail and General Trust aims to take on news and media properties if a private equity company strikes a deal
  • The publisher of the Daily Mail has confirmed it is in talks with private equity companies about a takeover of Yahoo.
  • Ailing tech firm Yahoo, which has a market capitalisation of $38bn (£27bn), put its core business up for sale in February with bids due by 18 April.
  • The US has become the Daily Mail’s prime driver of digital growth, with revenues growing 66% in the three months to the end of December.

Will the industry follow up on public actions with a prolonged commitment to redressing the bias that exists?
  • Technology might like to think of itself as the antithesis of the stuffy east coast old boys’ network, but really it’s just a reimagined, west coast version of it
  • For decades, the research has been demonstrating the advantages of diversity. It isn’t just that people from a variety of backgrounds bring different kinds of information and ways of thinking to the table, it’s the fact that when we have to deal with people who aren’t just like us
  • Technology’s gender problem has long attracted attention and is getting more scrutiny, with activist investor Arjuna Capital demanding that companies such as Amazon and Microsoft (whose CEO, Satya Nadella, earned renown for suggesting that women not demand raises but simply wait for karma to deliver them) disclose data on how differently men and women are paid for doing similar jobs.
  • But the diversity problem is just as deeply rooted, and there is little to no momentum. Indeed, if some of the news from Twitter is anything to go by, it’s all going in reverse.

Sunday 10 April 2016

Weekly New/Digital Media homework Week 27

WEEK 27



  • But the Internet meant reporters could churn out content from anywhere. 
  • “The Internet doesn’t spread things apart — it pushes them together,”Richard Florida, the urban studies theorist, told me. “You’re seeing more of these winner-take-all effects.”
  • Physical distribution of newspapers and over-the-air distribution of TV signals meant location was all-important for daily news. Journalistic talent was arrayed to match, with substantial newsrooms in every city.
Facebook’s filtered messages inbox on an iPhone SE

  • Users discover hundreds of ‘filtered’ messages buried behind a series of menus that they didn’t know existed
  • The inbox, accessible on the web or Facebook Messenger apps for smartphones and tablets, is part of Facebook’s filtering system, designed to catch spam and other unwanted messages.
  • However, users, including myself and others within the Guardian, have discovered their “filtered” inbox full of legitimate messages that never made it to the main inbox or Messenger app.
  • Within the Messenger app the hidden inbox is buried under four menus. To get to it tap Settings, then People, then Message Requests and tap on the “See filtered requests” link.

Weekly New/Digital Media homework Week 26

WEEK 26

YouTube is criticised for its free music streaming, but it has recently launched the YouTube Red subscription tier.

  • Industry body RIAA takes aim at ‘some technology giants’ but Google claims ‘apples to oranges’ comparisons sell its contribution short
  • US industry body the Recording Industry Association of America (RIAA) criticised Google’s video service for the low royalties it pays out to music rightsholders.
  • However, Google has responded by criticising “apples to oranges” comparisons to subscription-based music services like Apple Music and Spotify’s premium tier.
  • The row came as the RIAA revealed that Americans’ spending on recorded music rose 0.9% to $7bn in 2015, with streaming overtaking music downloads to become the largest chunk of those revenues
  • Streaming revenues in the US rose 29% to $2.4bn last year, including a 52% rise in paid subscriptions to $1.22bn, with more than 13 million Americans paying for a streaming service by the end of 2015.

eddie tipton

  • New evidence shows lottery machines were rigged to produce predictable jackpot numbers on specific days of the year netting millions in winnings
  • For several years, Eddie Tipton, the former security director of the US Multi-State Lottery Association, installed software code that allowed him to predict winning numbers on specific days of the year, investigators allege. The random-number generators had been erased, but new forensic evidence has revealed how the hack was apparently done.
  • Tipton was convicted last year of rigging the $16.5m jackpot in Iowa, and is now awaiting trial on charges linking him to prizes in Colorado, Wisconsin, Oklahoma and Kansas.

MEST3 Independent case study: New and Digital Media

Case study research tasks

The basics

Your chosen industry: Music industry 
Your chosen case study (i.e. text/institution etc.): Tidal
Have you received approval for this case study from your teacher? Yes




Audience

1) How has new and digital media changed the audience experience in your chosen industry?
TIDAL has a world class editorial team regularly delivering articles and interviews across all genres that deliver intimate and revealing looks into your favourite artists, as well as artists you may end up reading about for the very first time.


2) Has new and digital media changed the way the audience consume your chosen product?
TIDAL gives its members access to exclusive music, videos, tickets, merchandise.
 TIDAL has two pricing tiers: either $9.99 or $19.99 a month when you register at TIDAL.com. Both pricing levels come with the same access to exclusive content and experiences, and the $19.99 tier has the added benefit of high-fidelity sound, delivering the music users the way the artists and producers intended it to be heard. There is no compression of the files, and the music is CD-level quality. TIDAL provides a 30 day free trial period to all new customers on both subscription tiers.



3) Has the size of the audience changed as a result of new and digital media?
Spotify, a similar music streaming service has 10 million users. TIDAL has 1 million users and Apple music has 10 million.


4) What are the positive changes new and digital media have brought to the audience of your case study? (E.g. greater choice, easier access etc.)
Easier access compared to ten years ago when people would buy CD's. All music is one playlist and you can adapt that to remove/add songs/albums, which provides greater choice. Also playlists on TIDAL are tailor-made for our listeners, expertly curated by their team, and not by a computer algorithm. It also provides exclusive playlists created by artists, athletes, journalists which show what music they like and helps fans to stay updated by their favourite artists. 


5) What are the negative changes new and digital media have had on your chosen audience? (E.g. quality of product etc.)
TIDAL in comparison to Spotify and Apple music is described as "the worst-sounding" when it comes to streaming top quality music. Also, artists who have a contract with TIDAL such as Rihanna and Kanye West have decided to release their albums exclusively just on TIDAL. Which forces fans to subscribe to TIDAL and this has frustrated many people as before it was easy to illegally download albums before release. 


6) What about audience pleasures - have these changed as a result of new and digital media? 

Audience pleasures have not completely been fulfilled as Spotify is the main competitor and the first established music streaming service which offers a cheaper price of subscription such as £9.99 a month and students receive discount so their subscription automatically goes down to £4.99 a month and this is a useful tactic considering that the main target market for music streaming is students. TIDAL provides audience pleasures to a short extent as users receive exclusive music first, such as Kanye's new album "The Life of Pablo" which was  released on TIDAL first before any other platform. This creates excitement for users which links to Blumler and Katz which both entertains it's users and helps develop  sense of identity as artists who release exclusive content could be seen as role models to users.

7) What is the target audience for your chosen case study? Write a demographic/psychographic profile.

As TIDAL is referred to as a "luxury hi-fi music streaming service" the demographic would be an ABC1 considering the fact that is is expensive compared t leading rival Spotify. The age group would be from 15 - 35 years - teenagers are the more focal part of the target audience as they would be more up-to-date with new music and interested in discovering new types of music as TIDAL includes all genres. Also, considering the fact that hip-hop mogul Jay-Z owns the company I would say that hip-hop fans in general would join and subscribe to TIDAL. In terms of psychographics this would relate to Aspirers - those who are materialistic and image orientated and believe that joining TIDAL would make them appear more well-off as it's a "luxury". Also, explorers who are searching for new types of music and this can successfully be acquired considering TIDAL has already have set playlists, for instance  there are playlists for the 90's hip-hop era. This would help explorers find their individuality more and find new/different types of music to be interested in. 

Institution

1) How has new and digital media had an impact on ownership or control in your chosen industry?

Tidal is currently owned by Jay Z, and a variety of other music artists spanning multiple genres within their field. It is the first artist-owned streaming service in the world. During the previously-mentioned press conference, Jay Z himself, BeyoncĂ©RihannaKanye WestNicki MinajDaft PunkJack WhiteMadonnaArcade FireAlicia KeysUsherChris MartinCalvin Harrisdeadmau5Jason Aldean and J. Cole were introduced to the stage as "The owners of TIDAL"

2) What impact has new and digital media had on ownership in your chosen case study?


A key selling point for Tidal in relation to competing with other streaming services such as Spotify and Pandora Radio is the exclusive content already available and expected for the future from the current artists who co-own the company, as well as others. Exclusive content available on the relaunch of Tidal included Rihanna's new single "Bitch Better Have My Money". 

3) How has new and digital media changed the way institutions produce texts?
Artists will still record their music in the studio as normal, but the release is the factor to consider as Tidal are using artists to exclusively release music on their service. 

4) How has new and digital media changed the way institutions distribute their product?
Artists can decide to exclusively release content through Tidal, this encourages fans to buy the music streaming service for a monthly subscription fee.


5) How might new and digital media threaten your chosen industry?
There are many competitors such as Spotify and Apple music, Spotify charges a cheaper price but the only difference is that artists don't have an exclusive contract with Spotify to release music. 


6) How has new and digital media changed the way your chosen industry is regulated? 
The news and digital media has changed dramatically from people buying records in the stores, to illegally downloading mp3 music files off of Limewire and YouTube converter to streaming all types of music on one music stream. 


UGC

1) What examples of user-generated content can you find in your case study?

There's no user-generated content, however artists who have contracts with Tidal upload their own desired playlists. 

How has UGC changed things for audiences or institutions in your chosen case study?

More users have joined Tidal in order to see what music their favorite artists enjoy. 

Marxism, Pluralism and Hegemony

1) What would be a Marxist perspective of the impact of new and digital media on your chosen case study?

In terms of Marxism, the authority lies in the hands of Tidal as they have the power to remove any content when they want. Also, they can exclusively post music which disallows competitors such as Apple Music and Spotify to take it. 

2) How would a pluralist view the impact of new and digital media in your chosen industry?

Tidal have created playlists which suit the users, for instance there are exclusive playlists for hip-hop fans and exclusive playlists for rock fans. 

3) Are there any examples of hegemony in your chosen industry or case study?
In terms of the way the music is distributed Tidal have control as they distribute it whenever they feel to. 


Globalisation

1) How has globalisation impacted on your chosen industry or case study?

In terms of digital revolution, users are streaming music from their mobile devices by the app instead of buying records.Also, cultural convergence, Tidal are providing all genres of music to target a wide audience.

2) In your opinion, has globalisation had a positive or negative impact on your chosen industry and case study? Why?

Globalisation has benefited positively due to the advances in technology which makes it quicker and easier to stream music.

3) Can you find examples of cultural imperialism in your case study or industry? (The 'Americanisation' of the world)
Tidal has hired artists which are 90% American based  - such as Nicki Minaj, Rihanna, Beyonce, J. Cole. Also it is owned by hip-hop ceo Jay-Z who grew up in Brooklyn.
Social media

1) How has your industry or case study used social media to promote its products?

There is a Twitter, Instagram and Facebook page. Also, when Tidal was first launched, many music artists put an aqua blue (to represent Tidal) as their Twitter header. 

2) Provide examples of how your case study has used social media and explain the impact this would have on audiences.
By using the hashtag #Tidal many twitter users joined after exploring that hashtag and finding out what it's about and also which celebrities are affiliated with it.


3) Is social media an opportunity or a threat to your industry and case study?
It's an opportunity as it promotes it further and also makes it a more trending topic worldwide.


Statistics

1) What statistics can you find to illustrate the impact new and digital media has had on your industry or case study? For example, in news, the UK newspaper industry sold more than 12m copies a day in 2001 but in 2014 it was below 7m.

In 2015- Tidal had 580,000 paying users
Tidal currently operates in 31 countries.
In March 2016, Tidal announced it has over 3 million subscribers

2) Looking at these statistics, what impact has new/digital media had on institutions in your chosen industry? 

By creating an app, rather than using an internet desktop to use Tidal this has encouraged many users to join as it's more efficient to use.


3) What has the impact been for audiences? These may be positive and negative.
It's easier to stream music wherever, whenever as it's cross-platform and is also available in many different languages.


Theories

1) What media theories can you apply to your chosen industry and case study? Select THREE media theories and explain how they are relevant to your case study. Note: these can be ANY of the theories we have learned over the whole of Year 12 and 13.

  • Uses and gratifications - personal identity and entertainment: to help users find their favorite music and to use it as a source to escape from everyday life
  • Hypodermic needle - media injects information, Tidal helps the audience to explore the values and beliefs of artists
  • Two-step flow - users listen to what their favorite artists have to say and the types of music they like too

Issues/debates

1) What media issues and debates can you apply to your chosen industry and case study? Select THREE media issues/debates and explain how they are relevant to your case study.
Social - there are many competitors, such as Apple Music and Spotify which offer lower more reasonable prices

Historical - the change from buying records in shops to streaming music straight from a mobile device shows that the advances in technology are rapid
Economic - instead of paying for single records as in previous years, users now pay a complete monthly subscription with access to unlimited music.
Wider examples and secondary texts

1) What other texts or institutions are also relevant to your case study? What would be good secondary texts or examples to use to support the findings of your independent case study?

Similar texts involve competitors such as Apple Music, who charge a fee of £9.99 a month or a family sharing, where up to six users can use the same login for a fee of £16.99. Tidal and Spotify both offer a premium price of £9.99 for their service which are both very similar. 

Saturday 19 March 2016

MEST3 mock exam - Learner Response

1) Type up your feedback in full (you do not need to write mark/grade if you do not wish to).

  • Need more theory on news
  • Need to mention citizen journalism, UGC, and didn't mention #BlackLivesMatter
  • Lack of focus on question topic

2) Read through the mark scheme. Pay particular attention to page 9 that has suggested content for each of the questions in Section A. How many of these potential points did you make? Did you successfully answer the questions?
Q1Identification developed via montage celebrating universality of marriage, use of text on screen to provide a very contemporary scene, viewpoint of photographer

Q2Identification with celebrity

3) Now look at page 15 of the mark scheme. How many of the broad areas suggested by AQA did you cover in your Section B essay? Did you successfully answer the question?

  • Exemplification via case study
4) Read the Examiner's Report in full. For each question, would you classify your response as one of the stronger answers or one of the weaker answers the Chief Examiner discusses? Why? What could you do differently next time? Write a reflection for EACH question in the paper.
Q1 - for question one, I need to develop my theories and discuss the editing more in terms of : 
the use of sound, both diegetic and non-diegetic, and how this impacted upon an
audience’s response to the products and the use of editing, particularly to generate pace in order to create audience appeal. I did mention how the use of montage is used to celebrate the universality of marriage.
Q2 - I discuessed briefly the identification with celebrity. I needed to include response to lifestyle activities and celebration of choices, creation of personal spectacle, increased opportunity for members of the public to control their own representations and the procs and cons of social networks.
Q3 - Next time I should discuss a positive audience response being key to advertising/marketing revenue for producers, the illusion of empowerment offered by new media technologies and platforms and direct audience feedback and how producers used these to their own ends. 
Q6 - This answer was poor and I could of gone into detail about agenda setting via consumption/production and globalisation and media manipulation.

5) Choose your weakest question in Section A and re-write an answer in full based on the suggested content from the Examiner's Report. This answer needs to be comprehensive and meet the criteria for Level 4 of the mark scheme. This will be somewhere between 3-6 well-developed paragraphs (depending on the number of marks).
Question 1:
Contrast the techniques used by each product to communicate its message.
The first product was an ad for the Nexus 5 smartphone used as a montage of different types of weddings which successfully helps to communicate it's message. Identification is developed via montage celebrating universality of marriage. Also, the use of sound, both diegetic and non-diegetic, is used in order to encourage the audience to respond to the products. The use of graphics of the screen is vital in physically demonstrating how the product is used, this can help the audience to familiarize with the features more. It's also shot from the viewpoint of photographer, this helps to take the audience on the journey through the celebrations. 

Secondly, the second clip helps to communicate it's message through the use of dierct mode of address to the audience. In particular, the direct address of the “who are you?” questioning is done through a range of questions provided onto the text-on-screen. the use of text on screen is to provide a very contemporary scene. The use of editing, particularly to generate pace in order to create audience appeal and make the audience really question their identity. This links to Blumler and Katz 'Uses and Gratifications' theory as the media text is helping the audience to go in depth to explore more about their personal identity and interests. This is useful in appealing to a range of audiences through use of different nationalities / ages etc. The clip is useful is addressing representational issues, particularly those that show attitudes of acceptance and community.

Furthermore, the first clip uses fast-pace editing and has a catchy soundtrack. The second clip is used to make the audience really think. One text creates the desire to own a product, while the other encourages self-realisation. Both successfully communicate their message, with the first clip it's more to do with the way the product is used in happy memorable celebrations and the second one encourages the audience to truly think about their identity in society through the variety of questions and display of a wide variety of different types of people.